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Author: Aswathy Gopalakrishnan

Aswathy Gopalakrishnan, a graduate of the Asian College of Journalism, worked at the Times Of India and Mint as a sub-editor and political correspondent respectively, before she decided to start focusing on writing about cinema. She has covered film festivals around the world for Silverscreen, and in 2017, was one of only 4 journalists chosen by the International Film Festival Of Rotterdam for its prestigious Young Critics Program.

Older Articles

Priyan Ottathilanu Review: A Joyful, Mildmannered Film Led By Sharaf-U-Dheen
Malayalam
Reviews
June 25, 2022
Vaashi Review: Charming Lead Actors, But This Marriage Story Set In A Courtroom Feels Unfinished
Malayalam
Reviews
June 20, 2022
Prakashan Parakkatte Review: A Silly, Psuedo Coming-Of-Age Drama
Malayalam
Reviews
June 17, 2022
Dear Friend Review: A Superb Cast Elevates A Fascinating Urban Drama
Malayalam
Reviews
June 12, 2022
Innale Vare Review: Jis Joy’s Clumsy Crime Thriller About The Rot In The Upper-Class
Malayalam
Reviews
June 9, 2022
Major Review: Soldier Is A Divine Figure In Adivi Sesh’s Thriller On Mumbai Attack
Malayalam
Reviews
June 4, 2022
John Luther Review: Jayasurya Tries To Impress In A Vapid Crime Thriller
Malayalam
Reviews
May 29, 2022
Kuttavum Shikshayum Review: Rajeev Ravi’s Sparse, Oddly Gripping Cop Drama
Malayalam
Reviews
May 28, 2022
Jack N Jill Review: Manju Warrier is a Riot in a Listless Superhero Film
Malayalam
Reviews
May 21, 2022
12th Man Review: Neither the Men Nor the Women Bring Anything Fun to the Table
Malayalam
Reviews
May 20, 2022
Jo and Jo Review: A Fascinating And Frustrating Teen Comedy
Malayalam
Reviews
May 16, 2022
Meri Awas Suno Review: The Star Cast Does Not Make This Film on Speech and Silence Any Watchable
Malayalam
Reviews
May 14, 2022
Puzhu Review: Mammootty Easily Shoulders a Middling Film on the Predator’s Paranoia
Malayalam
Reviews
May 13, 2022
Thar Review: Revenge Turns the Desert Red in an Impressively Photographed Film
Hindi
Reviews
May 7, 2022
CBI 5: The Brain Review: Sethurama Iyer Is Charming, But The Film Falls Short Of The Old Fun Element
Malayalam
Reviews
May 1, 2022
Makal Review: Jayaram Fits in Well, but This is Sathyan Anthikad’s Most Pointless Movie in Years
Malayalam
Reviews
April 29, 2022
Jana Gana Mana Review: Suraj Venjaramoodu Shines in Dijo Jose Antony’s Second Shot at a Social Justice Film
Malayalam
Reviews
April 29, 2022
Antakshari Review: An Uneven, Occasionally Smart Serial Killer Drama
Malayalam
Reviews
April 24, 2022
Jersey Review: A Middling Film about Heroism Shouldered by an Excellent Shahid Kapoor
Hindi
Reviews
April 23, 2022
Veyil Review: Promising Idea Crushed Under Stereotypes and Weak Filmmaking
Malayalam
Features
April 15, 2022
Dasvi Review: Interesting Performances in a Comedy Too Shallow To Be Funny
Hindi
Reviews
April 7, 2022
Cobalt Blue Review: Sachin Kundalkar’s Film on First Love and Loneliness is Pretty But Slight
Malayalam
Reviews
April 6, 2022
Kaun Pravin Tambe Review: A Sensitive Biopic Headlined by an Excellent Shreyas Talpade
Hindi
Reviews
April 2, 2022
RRR Review: SS Rajamouli’s Epic Fantasy Both Thrills and Disappoints
India
Reviews
March 26, 2022
Oruthee Review: Navya Nair is Magnificent in a Film about Urban Misery
Malayalam
Reviews
March 19, 2022
Salute Review: Dulquer Salmaan & Rosshan Andrews Deliver a Pointless Cop Film
Malayalam
Reviews
March 18, 2022
Pada Review: Kamal KM Recovers the Memory of a Protest in a Superbly-Acted Political Film
Malayalam
Reviews
March 16, 2022
Night Drive Review: Anna Ben’s Thriller Runs On Empty
Malayalam
Reviews
March 13, 2022
Maaran Review: Dhanush Sleepwalks Through an Exhausting, Vapid Film
Tamil
Reviews
March 12, 2022
Naradan Review: A Poorly Written, Feeble Film On Media Sensationalism
Malayalam
Reviews
March 6, 2022

Older Articles

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