Love Review: A Tedious Film that Takes the Viewer for a Ride 

Love, a thriller directed by Khalid Rahman of Anuraga Karikkin Vellam and Unda, is a grim, flagrantly mediocre film made up of an excess of macro close-ups and slow-motion motion shots used to stretch the narrative out to clock the feature film length.The Malayalam film industry, crippled by the year-long lockdown is in dire need for a revival, but there isn’t a lack of good content for a viewer, thanks to digital platforms.

“I Always Wanted To Make Films That Communicate With The Masses”, Says ‘Unda’ Writer Harshad

As Unda (Bullets), a human drama set in India’s red corridor, directed by Khalid Rahman and starring Mammootty, is set to become one of the biggest critical and commercial successes of 2019, screenwriter Harshad talks to Silverscreen. in about the making of the film, its political undertone and his career as an indie filmmaker.

Anuraga Karikkinvellam Review: The Bitter-Sweet Love

In Khalid Rahman’s directorial debut, a man discovers the taste of unadulterated selfless romance at a later stage in life.  The narrative is charming, thanks to the innate ordinariness of its characters and the situations they are caught in.The film proceeds semi-realistically, with minimum melodrama and a lot of relate-able situations.  The changes that come over Raghu, after he begins the spate of phone conversations with Anu, proceeds in a slow pace.

Love to Release in Gulf Countries First

Malayalam film Love, starring Rajisha Vijayan and Shine Tom Chacko,  has been slated to release in theatres in the Gulf on October 15 with Covid-19 related safety measures in place. It will become the first Indian film to release in cinemas post lockdown, producer Ashiq Usman posted on social media, on Wednesday.

Best Malayalam Films 2019: An AI Robot, A Twisted Family Drama, And A High School Comedy

This film, directed by debutante Manu Ashokan, is powered by three performances, of Parvathy as a young woman whose ambitions couldn’t be burned by an acid attack that permanently distorts her face, of Asif Ali who brilliantly portrays the complex psyche of a toxic partner in a relationship, and of Siddique who plays a father who stands rock-solid beside his daughter even as the world turns against her.

Team ‘Sudani From Nigeria’ To Boycott National Film Award Ceremony In Protest Against CAA

Zakariya and Muhsin Parari, the director and screenwriter respectively of Malayalam film Sudani From Nigeria, will boycott the national film award ceremony which will be held in Delhi on December 23. Sudani From Nigeria won the award for the best Malayalam film at the national Film awards. Their decision is in protest against the controversial Citizenship (Amendment) Act.

Indie Filmmakers To Approach Court Against International Film Festival Of Kerala

A group of indie filmmakers has launched a social media campaign against the International Film Festival Of Kerala (IFFK), alleging that the festival’s film selection committee has been flouting rules and rejecting films without viewing them. On Facebook page, Reform The IFFK, the filmmakers say that they were going to file e legal petition against the film festival to get the current selection lists of Indian and Malayalam films cancelled. They demand that the Academy to reconstitute the panels and make fresh and fair selections. The filmmakers also allege that the Chalachitra Academy was favouring commercial films over independent arthouse films. 

‘Unda’ Review: An Impressive Human Drama With A Fine Sense Of Humour

The young man, pushed around and subjected to heinous casteist harassment at work, speaks in a tone of weird self-pity (“I joined the police because I wanted some respect”), without the slightest hint of anger.   In the final moments, the film flutters between reality and a kind of absurd comedy – which is, nevertheless, thoroughly enjoyable – echoing the moral of an old fable that any kind of crisis can be overcome if people worked together.

Mammootty Returns To Tamil Cinema With ‘Peranbu’; Is The Busiest Among Superstars In The South

At 67, Muhammad Kutty Paniparambil Ismail, or Mammootty, is working on more films than any of his contemporary stars in the south. He has six films – Peranbu, Yatra, Maamaankam, Madhura Raja, Pathinettam Padi and Unda – currently scheduled for release. This, at a time when even Rajinikanth and Kamal Haasan, Ajith and Vijay release only one film a year.

When Love Isn’t A Bed Of Roses: ‘Mayaanadhi’, ‘Eeda’ Are Examples Of Complex, Layered Romance

In Ranjith Shankar’s Ramante Eden Thottam, Malini (Anu Sithara), a married woman with a child, falls in love with a widower, Raman (Kunchakko Boban), and the film, with the help of Madhu Neelakantan’s romantic camerawork and Bijibal’s music, celebrates this ‘scandalous’ affair.  In the director’s Punyalan Agarbathies, the plot revolves around the protagonist, Joy Thakkolkaran (Jayasurya), who is waging an exhausting battle against the investor-hostile political and bureaucratic mechanism in the state, hell-bent on ruining his dream industrial project.

Unda Trailer Starring Mammootty

Movie: Unda Banner: Movie Mill in association with Gemini Studios Story & Direction: Khalidh Rahman Produced By: Krishnan Sethukumar DOP: Sajith Purushan Music: Prashanth Pillai Screenplay: Harshad Art Director: Sabu Mohan Action Director: Shyam Kaushal Production Controller: Badusha Edited By: Nishadh Yusuf Makeup: Ronex Xavier Costume Designer: Mashar Hamsa Audiography: Vishnu Govind & Sreeshankar Sync […]

Unda Teaser Starring Mammootty

Movie: Unda Banner: Movie Mill in association with Gemini Studios Story & Direction: Khalidh Rahman Produced By: Krishnan Sethukumar DOP: Sajith Purushan Music: Prashanth Pillai Screenplay: Harshad Art Director: Sabu Mohan Action Director: Shyam Kaushal Production Controller: Badusha Edited By: Nishadh Yusuf Makeup: Ronex Xavier Costume Designer: Mashar Hamsa Audiography: Vishnu Govind & Sreeshankar Sync […]

Allu Ramendran Review: Kunchacko Boban Returns To Form In This Middling Comedy

The protagonist of Allu Ramendran, directed by debutante Bilahari, is a nondescript police constable, Ramachandran/Ramendran (Kunchacko Boban) caught in a professional and personal crisis, thanks to an unknown enemy who has been regularly puncturing the police jeep that he drives.Like a mediocre item dance sequence (starring Neeraj Madhav) that falls into the narrative without warning or purpose, and the numerous flat comic scenes set inside the police station starring Salim Kumar who  hams up.