Karnan Review: Mari Selvaraj’s Powerful Anatomy Of A Rebellion

And with this mighty second film, Mari Selvaraj claims a unique position in the Tamil cinema space, whose stories of human suffering aren’t morbid and cerebral but humane and fascinatingly guileless.The most striking aspect of Karnan is how director Mari Selvaraj films the village of Podiyankulam.What enrages the police officer (Natraj Subramaniam) isn’t the act of vandalism but the name of the village head (Duryodhanan) and the village’s refusal to bow to his upper-caste identity.

Weekend Watch: It’s Mani Ratnam’s Chekka Chivantha Vaanam Vs Debut Director Mari Selvaraj’s Pariyerum Perumal

The film has been produced by Maneesh Sharma under the banner of Yash Raj Films.  Dhawan plays ‘Mauiji’, an earnest guy sincere in his actions, but doesn’t get the recognition he deserves.  Anushka Sharma’s Mamta is the responsible wife who is also a support system for her husband.It’s a multi-starrer gangster thriller, directed by Mani Ratnam, and has four main leads – Arvind Swami, Arun Vijay, Vijay Sethupathi and Silambarasan.  The film is jointly bankrolled by Lyca Productions and Mani Ratnam’s home banner Madras Talkies.

Mari Selvaraj, Director Of ‘Pariyerum Perumal’: A Profile

In the teaser for the film, Anandhi, who plays Jyothi Mahalakshmi, calls herself an angel – because, to Pariyerum Perumal, any woman who teaches him English is an angel. “That way, Divya is my angel,” Mari laughs.But to talk of his life experiences, and the events that Mari has described in the books, would perhaps be not too different. “I won’t deny it.