Marakkar- Arabikadalinte Simham Review: Yet Another Star-Studded Film Let Down by Weak Writing

Siddique (who plays Kunjali’s uncle), the late Nedumudi Venu (who plays the Sampoothiri) and Hareesh Peradi (who plays the Sampoothiri’s military advisor) all deliver strong performances in the film.The way the film makes Kunjali’s close relationship with his mother (played by Suhasini Maniratnam) the cornerstone of his early life makes it ridiculously easy to predict the turn the story takes next.

Sarvam Thaala Mayam Review: Part Well Intentioned, Part Condescending

In a scene on a concert stage, while talking to an NRI family about Skype classes that Iyer frowns upon, Menon lights Vembu Iyer in blinding red almost suggesting that the mridangam exponent is from a different world, different era.The usually irenic Carnatic singer (ostensibly playing himself but not named in the film) has struck a dissonant chord with a senior mridangam player – Palakkad Vembu Iyer (Nedumudi Venu) – and is trying to find the right words to lay the purist off his future concerts.

Daivame Kai Thozhaam K Kumaraakanam Review: This Insensitive Film Is Rife With Sexism & Witless Humour

Daivame Kai Thozhaam, a comedy-drama, is centered around a married couple who are perpetually at loggerheads as they take each other for granted.  One day, the God almighty (Nedumudi Venu) decides to spend a few days in Unnayipuram, a fictitious village in Kerala, and he chooses Krishna Kumar (Jayaram), a gram-sevak of Unnayipuram, to be his host.

Pokkiri Simon Review: Dull Film That Betrays The Fans Of The Superstar It Pays Tribute To

In case you are wondering if lack of education and employment opportunities are the reasons as to why youngsters subscribe to this fan frenzy, there is a retired ISRO scientist, played by Nedumudi Venu, who has resolved to spend his post-retirement life selling tickets at theatres screening Vijay films and working tirelessly for the superstar’s welfare.  There is a lengthy, romantic dialogue that he mouths on why it’s better to idolise reel heroes than worship a conventional god because the reel hero does everything that a god does, and better, the former is visible and mobile, unlike the stone idols.

Review Roundup: Kartik Aaryan’s ‘Bhool Bhulaiyaa 2’ Creates a Dent on Box Office Despite Average Reviews

As films return to cinemas more, and less to OTT, box office numbers seem to have experienced spikes. While Kartik Aaryan-starrer Bhool Bhulaiyaa 2 has earned around Rs 14 crores on its opening day, thereby making it the second film with the highest opening post the pandemic for a Hindi film, Kangana Ranaut’s Dhaakad has only garner Rs 50 lakh.

Jack N Jill Review: Manju Warrier is a Riot in a Listless Superhero Film

A young actor confined to eye-candy characters, we might never know if she is a good actor ﹣the word good might be stretching it too much ﹣or at least, a decent performer who would not make one want to turn off their screen.The expression of love, including its most fleeting variety, deserves some flourish on the screen, and Sivan, who brought to screen the naive beauty of first love in Anathabhadram and Urumi, must certainly know that.

Ratheena Interview: Filmmaker on Making Her Debut with Mammootty-Starrer ‘Puzhu’

The filmmaker reveals that she first pitched a different story to Mammootty and he, in turn, put her in touch with Unda’s writer Harshad, to write the screenplay. “We began working on that project, which was a large-scale film.Ahead of the film’s release, Ratheena speaks to Silverscreen India about how the project took off, her working experience and more. “Puzhu cannot be classified as a film belonging to one specific genre.

Mother’s Day Special: A List of Films That Celebrate Different Aspects and Choices of Motherhood

From Rajinikanth’s Tamil song Amma Endru from Mannan (1992), where he tends to his differently-abled mother, to the legendary dialogue “Mere Paas Maa Hai” (I have mother with me) from the Hindi film Deewaar, mothers have played a significant role in establishing the strength of familial ties.Directed by Renuka Shahane, the film explores motherhood, the pressures of a patriarchal society, and what it does for women who want to be more than just a mother.

Bheeshma Parvam Review: Mammootty Towers in Amal Neerad’s Ambitious Family Saga

Unlike Neerad’s Iyobinte Pusthakam that was crushed by its own weight, Bheeshma Parvam is confident kitsch, a solid guilty pleasure, unafraid of being inter/extratextual, without a larger sociological context, headlined by a glorious Mammootty, who plays Michael.In Bheeshma Parvam, Neerad takes to the audience the emotional weight of the situations Michael navigates alongside the delights of mass cinema.

‘Marakkar’ Opens in 626 Screens in Kerala; Exhibitors Reveal How the Mohanlal Starrer is Faring

After a two-year wait, Mohanlal-starrer Marakkar: Arabikadalinte Simham released in theatres worldwide on Thursday. Producer Antony Perumbarvoor had announced on social media that Marakkar would release in five languages – Malayalam Tamil, Telugu, Hindi and Kannada – on 4100 screens across the world. As many as 16,000 shows are scheduled per day. In Kerala, Marakkar is showing in 626 out of 631 screens.