There’s just one enormous problem (besides the length). We learn far too early about the backstory that motivates the villain, and it’s an utterly underwhelming backstory. These thrillers need to be driven by something more sinister, more far-reaching. It makes the second half less riveting. (Why didn’t the director save the reveal for the end?) And it’s laughable that the entire police force is reduced to the equivalent of henchmen. But we’ve suspended our disbelief for films far less worthy. Why begin to pick on this?
Tamil
