Sasikumar’s career has been diminishing and the blame lies with the director-actor, who has become more concerned with projecting himself as a mass hero, despite trying to convince us otherwise. Socrates’ script is so uninspiring and his staging very TV serial-like that even an interesting development feels monotonous. Even the romantic track plays out in an oft-seen manner, with Siva wooing Gayathri in the company of Nandhu, and Santhanam does his usual job of providing the wisecracks to keep us mildly entertained.
Tamil
