Nalanum Nandhiniyum – Behindwoods


Ashwath’s music has promise but the overdose of bit songs takes away the sting of his fully worked songs. Nizar’s camera work is commendable, enhancing the production value with well lit frames. Allen’s editing is precise and clean without gimmickry but his cut to the flashback in the first half could have been more pronounced.

Director Venkatesan’s heart is in the right place with his intent and he appears well focused with his execution too, but he can do little to engage the audience with a thin (predictable) plot.