The court scene is a minor triumph for Kannan — there are no grandstanding speeches but a matter-of-fact earnestness that is credible. The director also does well in a fight scene involving a hired killer. Azhagu and Michael fight not as film heroes but as normal young men who make up for lack of fighting skills with resolve. It is a pity that the film doesn’t offer many such unusual moments and resolves everything with a climax that feels forced and false.
Tamil
