But the strong whiff of cliched scene set-ups (like getting Shakeela to play a female character who fights for men’s rights) is and redundant songs (Imman seems to have been on autopilot) leave us with a feeling of deja vu. In fact, the too many references that Rajesh uses (in terms of background score and dialogues) to get us smile only indicate laziness, an absence of originality, and even desperation. But the best thing is that he keeps things from becoming boring and the film ends up as a mild diversion.
Tamil
