Recommended
The narrative, too, is spry — at least up to a point — leaping back and forth, thanks to a series of flashbacks used to advance the plot. And then, perhaps realising that his core audience isn’t after education-oriented message-mongering, Arjun unleashes the rocket launchers. The film suddenly (one might say randomly) switches gears — it becomes a prison drama, and then we get a hostage-rescue scenario. But is there any point complaining about coherence or plausibility? If you have to watch a film about a one-man army, you could do worse than watch one with Arjun in it. He totally pulls it off. Of how many fifty-plus leading men can you say that?