Recommended
The whole part about Boomer finding the cash and the Easter egg in the car while he and Burma are trying to outwit the robbers is staged somewhat unconvincingly. We wonder how Boomer could have transferred most of the cash to another bag (how did he come to have a bag is another question) and filled the original bag with something else in the space of a two minute-window. Guna’s presence at their hideaway is too convenient, and we doubt if Burma would take on Bothra Seth, who seems to be an extremely influential guy (he says that the commissioner is his client in his introduction scene). But then, it is also consistent with how Dharanidharan often refuses to neatly tie up the knots. And the manner in which he chooses to end the film only reiterates that he isn’t afraid to breaks conventions, and such confidence is always a good sign in a first-time filmmaker.