Vajram is a difficult film to sit through. It could have been a lot more interesting had it simply concerned itself with the problems in juvenile detention centres. But in its present form, the film’s idealistic message isn’t new and neither is the means it employs to make it. When an evil woman — and we aren’t talking grey shades here, just jet black — suddenly, unbelievably, has a transformation at the end, it marks a fitting conclusion to a film that doesn’t concern itself too much with consistency or practicality.
Tamil
