Vijayendra Prasad Came Up With ‘Srivalli’ After A Chance Reconnect With A Friend

Writer and director KV Vijayendra Prasad’s idea for Srivalli, a story on telepathy and romance, came to him years ago when he reconnected with a friend. Speaking to Deccan Chronicle, he said that the story happened when the two hadn’t been in touch but still managed to reconnect after thinking about each other.

“My good friend Ramesh and I studied in Vijayawada. After I settled in Hyderabad, I didn’t meet him for many years. In 2010, on Vinayaka Chaturthi, I thought of him and decided to see him and went to Vijayawada but he was no more. His mother showed me his diary that had an entry saying he thought of me on the same day as I did! How is it possible that both of us thought of each other on the same day?” 

The film, starring Neha Hinge and Rajath Krishna in lead, is about a scientist who invents a telepathy machine and learns about her past life. The story deals with how she manages to continue with things after inventing the machine.

The filmmaker’s other works include Vijay’s Mersal, where he’s worked on the screenplay, and Kangana Ranaut’s Manikarnika directed by Krish. He also has Aarambh: Kahani Devsena Ki, a TV show on Star Plus that revolves around rivalry between Dravidians and Aryans.

 

 

Feature Image: Bollywood Hungama

‘Goodfellas’ Star Frank Vincent Dies In Open Heart Surgery

Frank Vincent, known for his role as mob boss Phil Leotardo on The Sopranos and character roles in many Martin Scorsese films, has died. 

The actor suffered a heart attack last week. The Guardian reports that the actor passed away while undergoing an open heart surgery on September 13 at a hospital in New Jersey.

His family issued a statement via a publicist this afternoon: “Legendary actor and accomplished musician Frank Vincent has passed away peacefully at the age of 80 surrounded by his family on September 13, 2017. We ask that you respect our privacy during this difficult time.”

Born in North Adams, Massachusetts and raised in New Jersey, Vincent was known for his ability to shine in even the smallest of character roles. He was cast by Scorsese in Raging Bull, Goodfellas and Casino. As Billy Batts in Goodfellas, he delivered a dialogue (“Go home and get your f*ckin’ shinebox”) that would go on to be iconic and acquire cult status.

He also appeared in Spike Lee’s Do the Right Thing and Jungle Fever and played a detective in the 2008 indie The Tested. He had a cameo role in 2009’s Stargate Atlantis.

Vincent co-wrote a book, A Guy’s Guide to Being a Man’s Man, in 2006.

Fans took to social media to mourn his death.

 

 

Image Courtesy: Mubi

Kangana Ranaut Says Her Presence Bothers The Bollywood Insiders

Kangana Ranaut, who is gearing up for the release of Simran, much like most of her other interviews in the past few weeks, spoke her mind about the industry and its people. Speaking to India Today, the actress admitted that it was nice of Karan Johar to apologise for the ‘Nepotism Rocks’ skit performed at the recently held IIFA awards.

“We have never spoken after that. He seemed quite okay on his show and when we were chit-chatting after the show also. It’s only when Rangoon flopped that he got offended. But he apologised (for “nepostism rocks”). It was nice of him to make sure of that,” she says, adding that the industry aren’t too welcoming to outsiders in reality. 

“It has a lot to do with how I am, where I come from. It bothers them that how can this cattle-grazing crowd be here. How can the Hindi medium types be in a position to tell us?”

Ranaut, who has also been battling writer Apurva Asrani over credits for Simran, gave her version of the events too, admitting that it appeared as though Asrani was almost blackmailing the director, Hansal Mehta. Worried that his work wasn’t up to the mark, in addition to being shocked that his previous works weren’t by him, Ranaut suggested to Mehta about replacing Asrani. However, the whole issue about writing credits unfolded, and she felt she should be given her due considering she rewrote a lot.

“He should answer that when everyone has given him credit in the film and he agreed to give me my credit, why did he write that sob story? Why did he lie to people? I want to know what his answer is,” she tells India Today.

Simran, releases on September 15 and is said to be a crime/drama film.

Yash Likely To Star In ‘Arjun Reddy’ Kannada Remake

Yash is likely to star in the Kannada remake of Arjun Reddy. The film’s remake rights have been purchased by Rockline Venkatesh, and pre-production is expected to begin soon.

A spokesperson for the Kannada actor would only say that talks had been initiated with the production house. 

An official announcement is expected soon.

Arjun Reddy, with Vijay Devarakonda, Shalini Pandey in lead roles, is the surprise hit of the year. Directed by Sandeep Vanga, the film is inspired by Devdas, and follows a surgeon who turns to drugs and free sex to cope with his heartbreak.

At present, Yash is hard at work on Harsha’s KGF. The film is being made in Tamil, Telugu, Malayalam and Hindi simultaneously.

 

Image Courtesy: Filmibeat

Yash Cast In ‘Arjun Reddy’ Kannada Remake; Rana Daggubati Goes International

A quick look at everything making news in the world of cinema today!

Sign On

Yash will play the lead role in the Kannada remake of Arjun Reddy

Rana Daggubati’s international film has been titled Vijli

Newsworthy

KV Vijayendra Prasad’s directorial debut Sri Valli releases this Friday.

Spotlight

Kangana Ranaut says that her presence irks industry insiders.  “It bothers them that how can this cattle-grazing crowd be here. How can the Hindi Medium types be in a position to tell us?”

The actor’s Simran releases on September 15th.

Timeout

Let them eat cake!

Actors Ayushmann Khurrana, Madhavi, Cricketer Robin Singh will all turn a year older today!

Throwback Special: Chancing Upon Filmfare Edition From the ’50s

Recently, I stumbled upon a tiny book store – worthy of an Instagram post – tucked away in one of the busiest areas in Chennai. ‘Rare Book Store’ is run by an elderly person, who has been collecting books and magazines for years. Much of his collection includes cinema magazines and cut-outs of various articles from the bygone eras. 

While most of the books are either stacked on the table (or floor), some spill out of not-so-rigid shelves. But, neatly ironed and placed within a laminated file are editions of Bollywood’s Filmfare magazine from the ’50s and ’60s. 

Preserved and exuding the RGB colour model, the vintage magazine would easily fetch Rs 500 online, I hear. One of the editions feature a mini photoshoot of Bollywood’s top stars – Dharmendra, Asha Parekh, Sadhana, Sharada, and Suresh Puri. Playing cards on a deck by a lake, the stars seem to be engaged in some light banter, in looks that scream of a time gone by – high-waisted pants, winged eye-liners, red lipstick, side ponytails, and a whole lot of sass that one would find on a regular youngster back in those times.

***** 

The magazine has movie reviews, something that artistes now dread. In Filmfare‘s October 9, 1959’s issue, the magazine reviews two films – Navrang and Char Dil Char Rahen.

The reviewers (whose names aren’t mentioned) write what worked and what didn’t work for them in all honesty. There’s no sycophancy or deliberate negative statements flung around.

Navrang is about a poet who “escapes” from reality into a feeble fantasy. The budding poet is married to a relatively orthodox wife who fails to understand her husband and his art. Starring the director’s wife herself, Sandhya, the film has sets beautifully designed by Kanu Desai and songs sung by Asha Bhosle, Mahendra Kapoor and Manna Dey.

“Technically, as always with Shantaram, Navrang is utterly polished. Tyagraj Pendharkar’s photography is super, a notable feature being his meticulous attention to detail. But it is a pity that the picture was almost entirely shot on studio sets when colour photography could have been used to great advantage in outdoor locales,” writes the author.

Char Dil Char Rahen‘s review is given a headline that simply drives home the point even before you read – “Unusual Film”. Starring Raj Kapoor, Meena Kumari, Nimmi, Shammi Kapoor, Ajit, and others, the film is about three pairs of lovers who part at a cross-road and are brought together again after a long time. Peering into the lives of trade union workers, the film blends romance and social realism, with songs by Anil Biswas. 

Without digging too deep, the reviewer praises and points out the film’s shortcomings and whatnot in half a page.

“The performances reflect the slick direction. Raj Kapoor is excellent in the dramatic role of the high-born youth who defies his own community to marry the untouchable girl he loves. Meena Kumari as the untouchable Chawli is superb, infusing her portrayal with the simplicity and tragic poignancy the role demands. Anil Biswas’ music is delightful, and Sahir Ludhianvi’s lyrics are rich and expressive,” the author writes.

*****

The magazine also has a page written by a celebrity. In Filmfare‘s November 20, 1959’s issue, the celebrity is funny man Johnny Walker writing on acting. His article is about how, despite his severely modest background, he had to rough it out to try acting. He also recalls that his screen name was supposed to be “Mastaram” once. 

“When the question of including my name in the credits (Guru Dutt’s Taxi Driver) came up, Chetan Anand suggested the screen name, “Mastaram”. But I decided on “Johnny Walker” as being more in  keeping with the type of role I was called upon to play,” he writes.

Highlighting everything from under the sun, Walker also writes on what makes a good actor. 

“I think one cannot be a good actor unless one has passed through the furnace of life’s vicissitudes. My own screen work has benefited immensely from my varied experiences, hardships and privation. Films mirror life and, unless one has experienced defeat, disappointment and frustration, one cannot depict them authentically on the screen.”

Walker then concludes his heartfelt autobiographic essay with:

“As long as people want to laugh, I will be there to make them laugh. Laughter is like a tonic, and I consider myself fortunate in that I can provide so much of it.”

His last movie was Kamal Haasan’s Chachi 420 in 1997. Unlike his frequent portrayals –  as that of a drunkard – he was actually a teetotaler in real life. He died in 2003.

*****

Bramma Interview: “I’d Like To Experiment With Every Format Of Filmmaking”

About nine years ago, Bramma, then 29, was reading Ambai’s short story Vellippadu. Somewhere in the narrative was a mention of how many dosais women make in their lifetime. He moved on to other books, a National Award-winning movie Kutram Kadithal, and started working on his next, a women-centric film. That was when the dosais floated out of the recesses of his memory.

The teaser for Magalir Mattum struck a chord with most women, and men too. Social media was full of photos of men making dosais for their wives. The film’s producer, actor Suriya, made one for his wife Jyothika, the star of the movie.

“Even today, I get goosebumps when I think of how something I read years ago stayed alive in the mind and emerged out of hibernation when I needed it the most,” says Bramma.

If Kutram Kadithal was a raw take on the education system, guilt, love and human emotions, and starred unfamiliar faces, Magalir Mattum’s scope is vast. “This is a bigger palette and I’m working with actors such as Jyothika, Bhanupriya, Saranya, Urvashi and Nasser. It promised learning, and I jumped at the opportunity,” says Bramma.

“As a director, it was a great learning to extract performances from actors of their calibre, to direct a movie where the stars are as important as the story and characters… If the story drove Kutram Kadithal, Magalir Mattum is about its characters, and I had to ensure that while the personality of the actors was present, it did not overshadow the characters. So, yes, Jo brings her brand of flair to play Prabhavathi, but she stays true to the character.”

Bramma says the dosai teaser showed him a mirror to his life too. “I would wonder why my mother and wife asked if I wanted another dosa; why could they not make it? Now, I know better.”

Stating that Magalir Mattum is a feel-good film that he wants people to celebrate, Bramma says he’s waiting for the audience reaction. “As a director, I’ve watched the film about 200-300 times. I’m now waiting for the other perspectives that come my way.”

The director is also clear that he’s here to experiment before he decides what he does best. “In my next two or three films, I wish to explores genres. I feel I can do comedy, action, romance… and then take a call on what really drives me.”

Ask him how easy it was to direct veteran actors, and Bramma says that because they were a part of his childhood, he went to the sets as a fanboy. “But, they are such disciplined professionals, they allowed me to be a director, and waited for instructions. It was a joy to see them emote, infuse life into their characters, and take the scene forward. Now that the film is ready, I’m back in fanboy mode,” he laughs

If Bramma wrote Kutram Kadithal in his house, and Magalir Mattum at home and in Yercaud and Bengaluru, his next film will see the director travel to a place, imbibe its spirit and then write. “With my first two movies, the story was inside me and was raring to be written. For the third, I’ll wait to absorb experiences and allow them to dictate my story. I’m in talks with a few people. I can travel in three or four directions, but am yet to decide where I’m actually heading,” he says.

After Magalir Mattum’s theatrical release, the team does plan to do the rounds of the festival circuit. “Probably, Indian and Asian festivals,” says Bramma.

And then, once he feels the urge, the director wants to direct some short films. “Short films are like short stories. I’d love to work on some. In fact, I’d like to experiment with every format of filmmaking.”

It was this need to be different that saw the Magalir Mattum team launch comics in Tamil and Tanglish that spoke about women’s rights, the life they lead, and what marriage does. “The idea was to get people talking about issues they normally did not. And once you watch the movie, you will start recollecting the characters in the comics,” says Bramma.

Magalir Mattum is slated to released on 15 September. And so, we wait. While counting dosais.

The interview was published on August 17 first. 

Kamal Haasan Likely To Launch Political Party Soon: Reports

Ever since the death of Jayalalithaa and the political harakiri that followed, Kamal Haasan has turned his Twitter account into a platform to make political statements and criticise the state and central government. Naturally, it has led to a lot of speculations on his entry into politics.

While the actor so far has not made any direct comments on his political entry, according to The Indian Express, Haasan is likely to float his own political party, ahead of the local body elections that will be held in November in Tamil Nadu. The report further added that an announcement is likely to be made in a few days, may be on Vijayadashami or on Gandhi Jayanthi. 

In an interview to Quint, Ulaganayagan was quoted as saying, “This is the right time for me to come into active politics because everything that can possibly go wrong is going wrong. We need better governance. I am not promising swift remedies. But I promise to start the process of change. This change may not even happen in my lifetime. Hopefully there will be others to carry forward the cleansing process.

Meanwhile, there were reports that Haasan would be attending a national seminar against communal fascism, which will be inaugurated by Chief Minister of Kerala Pinarayi Vijayan and attended by senior CPI(M) leaders from Kerala in Kozhikode on September 16. Haasan took to Twitter and dismissed these reports. 

Haasan’s spokesperson told Silverscreen, “We don’t know about his plans but if he is taking any serious decisions, he will invite all the press and media and talk about it. Until then, need not believe any speculations.”

 

 

Tamannaah: “It’s My Good Fortune To Work With PC Sreeram”

Actress Tamannaah Bhatia on Wednesday said she considers it her good fortune to be working with ace lensman PC Sreeram, known for his work in films such as OK Kanmani and Shamitabh, for an upcoming as-yet-untitled Telugu film.

In reply to Sreeram’s tweet where he said working with her has been a delight, Tamannaah wrote: “I still can’t forget my first Tamil ad film I shot with you sir. It’s my good fortune to shoot with you for this film.” The film, also starring Kalyanram, is being directed by Jayendra, who returns to direction after six years.

This project marks Sreeram’s return to Telugu filmdom after five years. His last outing in the language was Nithiin-starrer Ishq. Meanwhile, Sreeram’s upcoming project Akshay Kumar-starrer Padman, marks his fifth collaboration with R. Balki.

Anu Haasan Uses Her Kalaripayattu Skills to Perform Stunts in Valla Desam

Actress Anu Hasan says her basic training in Kalaripayattu, an ancient martial art of Kerala, came in very handy while performing action scenes in upcoming Tamil action-drama Valla Desam.

In the film, directed by Nantha, she plays a mother who goes out of her way to find her kidnapped daughter.

“It’s a film where the action is well justified. I play a mother desperate to find my daughter. From being this gentle, simple mother, I become extremely courageous and intimidating and audiences are going to find this transformation quite shocking,” Anu told IANS.

This film marks her comeback to Tamil filmdom after six years.

Talking about the action in the film, Anu said: “Audiences will see me performing stunts. My experience of Kalaripayattu came in very handy. It gave me the strength to perform action with ease.”

On bagging the project, she said the director was on the lookout for an actress who can pull off this heavy role.

“He was in the UK and was looking for a suitable actress. I liked his narration and the fact that the role has so much to offer than just play a mother on screen. I think it’s a larger-than-life for me and I’m kicked about it.”

 

Biopic On Tennis Star Vijay Amritraj Soon, Son To Produce Film

A biopic will soon be made on tennis star Vijay Amritraj. The film will be produced by his son Prakash Amritraj, and will cover his tennis career, and film work.

Amritraj, who was born and grew up in Chennai, is one of the greatest sportspersons from the country, and one of the few to reach the quarter-finals stage in Grand Slam tennis tournaments. Awarded the Padma Shri, Vijay Amritraj is also a UN Ambassador for Peace. Not to mention, he acted in the James Bond film Octopussy, and the 4th Star Trek film Voyage Home. 

Mumbai Mirror reports on the story, and quotes Prakash Amritraj as saying, “I’ve always felt blessed to have my father as my greatest hero. Everyone is aware of his numerous achievements but my brother Vikram and I have always felt that the world would be a better place with more love, inspiration, and hope after knowing him as a person and what made him who he is today.”

Shooting for the film will likely begin early next year, and will be produced by Prakash, and Cinestaan Film Company. 

Image: Rediff.com

Vijay Sethupathi’s Look As Shilpa In ‘Super Deluxe’ Unveiled

Vijay Sethupathi is currently shooting for Super Deluxe which was earlier titled as Aneethi Kathaigal. The film is being directed by Thiagarajan Kumararaja of Aranya Kandam fame.

There were speculations that Vijay Sethupathi will seen in a female role in the film. Last night, the director took to Twitter to unveil Vijay Sethupathi’s look in the film.

He tweeted:

 

Vijay’s Sethupathi’s look at Shilpa drew attention on social media.

The film’s dialogues is jointly written by Mysskin, Nalan Kumarasamy, Thiagarajan Kumararajan  and Neelan Shankar. PC Sreeram handled the camera for the first schedule, he opted out as the second schedule was delayed. Now, cinematographer Nirav Shah is working on the film.

The latest to join the cast of the film is Gayathrie, who has worked twice with Vijay Sethupathi in the past.

Rishi Kapoor ‘Irked’ By Rahul Gandhi’s Comments On Dynasty Politics

Congress Vice President Rahul Gandhi’s idea of citing Bollywood as an example while discussing ‘dynasty politics’ in India during his Berkeley speech, has irked veteran actor Rishi Kapoor. Gandhi said:

“Most parties in India have that problem (dynasty politics) So…Mr Akhilesh Yadav is a dynast. Mr Stalin is a dynast… even Abhishek Bachchhan is a dynast. So that’s how India runs. So don’t get after me because that’s how India is run.” 

Rishi, who is known for his strong views and opinions, on Tuesday tweeted:

Image Courtesy: NDTV

Darsheel Safary: “Wasn’t A Conscious Decision To Stay Away From Films”

Actor Darsheel Safary, of Taare Zameen Par fame, was last seen on the big screen in the 2012 film Midnight’s Children. Now 20 years old, he says it wasn’t a conscious decision to take a break from films. The former child actor is set to return to the big screen with “Quickie”, to be helmed by Pradip Atluri.

Asked if he quit films five years ago to focus on studies, Darsheel told IANS over phone from Mumbai: “It wasn’t a conscious decision to stay away from films. We were figuring out. I told dad that I wanted to study in a college and have fun too, so I took a break.”

The fan of global cinema didn’t completely break ties with the medium. “I did short films and wrote some scripts. I still have incomplete scripts. I don’t know when I will complete them. Then I participated in college festivals. That was another high. I did commercial theatre (Can I Help You?) a while ago,” said the HR College student.

Any plans of going behind the camera? “I haven’t decided. Acting and dancing come naturally to me. I’ve been doing all that since I was 9. So I’ve kept acting on top of my list. I had a blast directing and writing. I’ve watched so many films and I am trying to understand the technical aspect of filmmaking. But I will think about it after I make a place in the industry,” said the Bumm Bumm Bole actor.

Also, updating on the progress of Quickie, Darsheel said: “That is shaping up beautifully. We announced it in February. There is no release date as of now. They (the film’s makers) are taking their time to make it top notch for the audience.”

“When I heard the story, I thought a 17- or 18-year-old must have written it. When I found out it was a 40-year-old man, I was like ‘Are you kidding me?'” He is surprised by the way the makers got a teen’s life so accurate in the film.
“Relationship, dating, clubbing, pressure from parents… will be shown so well,” he said.

He will be sharing screen space with Palak, daughter of Kasautii Zindagii Kay fame actress Shweta Tiwari.
“It’s (acting) in her (Palak’s) genes. She can easily pick up lines, her memorisation power is great… I was just happy about the fact that she can pull it off so well,” said Darsheel.

Apart from the film, he is also thrilled about becoming the face of the festival The Harry Potter Film Series, which will begin from Sunday on &pictures. “The main aim of the festival is to spread awareness about the franchise among the masses. A large population in India does not watch English films,” he said.

So, the Hindi dubbed version would reach out to a wider audience who would probably root for its Indian adaptation, he feels.

“There would be nothing better than playing Harry Potter. I wasn’t a fan of the books. I became a fan after watching the movies. It formed my childhood. From 2001 to 2011, I used to wait for these events… what happens in Harry Potter’s life. I also loved the direction.. There were different directors, but I’m a huge fan of David Yates,” he said.

The festival will conclude on November 5 with Harry Potter and the Deathly Hallows: Part 2, which was the last instalment in the successful franchise.

 

Image: Hindustan Times

Sriram Raghavan’s ‘Shoot The Piano Player’ To Resume Shoot After Deepavali

Director Sriram Raghavan, busy with Ayushmann Khurrana starrer thriller Shoot The Piano Player, says nearly half the shooting is complete and one pending schedule will happen after Diwali.

Raghavan, who was present for the success party of Ayushmann’s latest release Shubh Mangal Saavdhan on Tuesday night, was asked about the plot and release date of the movie. 
“It’s more about good guys and bad people and so on. It’s an Indian film set in India, so it somewhat will be a thriller. We have almost completed 45 per cent shoot of the film and one more schedule is left, which will start after Diwali. I don’t know about its release because nowadays competition is very tough, so Viacom 18 will decide the release date of the film,” he said.

On the experience of working with Ayushmann, the Johnny Gaddaar director said: “We already shot half the film. It will be different from Bareilly Ki Barfi and Shubh Mangal Saavdhan, so it will be a different movie for Ayushmann. Let’s see how much I manage to do something real, but in the thriller zone. In this film, he is very good. He is different from his earlier movies. I love all these kind of movies but I am looking forward to see how people will react to the kind of story which I am telling. But I can definitely say that audience will see Ayushmann in new avatar in this film,” Raghavan added.

Ayushmann, who was also present at the success party, also spoke about working with Raghavan for the first time.
“The film has to be different because it’s a Sriram Raghavan film. It will be a thriller, which I am trying for the first time. It was something, which I never expected… that a script like this will come my way. It will be different film for him (Raghavan) as well because this film has a music angle. So I am really excited about it and we will start our next schedule after Diwali.”

Shoot The Piano Player is being co-produced by Viacom 18 Motion Pictures and Matchbox Pictures.

RS Prasanna: A Sequel To ‘Shubh Mangal Saavdhaan’ Will Definitely Happen

Director R.S. Prasanna says that his Shubh Mangal Saavdhaan will definitely have a sequel. Prasanna, who was present at the success party of the film here on Tuesday night, was asked if there are any plans to make a sequel of the film, which features Ayushmann Khurrana and Bhumi Pednekar in lead roles.

“Definitely, I have already told a story to Aanandji (producer Aanand L. Rai). It will be very interesting. We were waiting for audience’s response — whether they want to listen to the next story or not, and we have received feedback from the audience. They loved Ayushmann and Bhumi’s characters in the film, so definitely a sequel will happen,” Prasanna said.

Shubh Mangal Saavdhan is a remake of the director’s own 2013 Tamil film Kalyana Samayal Saadham and when Prasanna was asked how challenging it was to make the Hindi remake, he said: “It was tough, but luckily it has happened in right way. Aanand sir was there, so I knew as long as I do my job of directing the movie honestly and correctly and if he likes the film, then the audience will like the film.”

Prasanna says that he conceived the story for the sequel when he was making the Tamil film. “When I was making the Tamil film, that time I conceived the idea of a sequel. I feel, it will be really funny. Right now there is only an idea and we will start working on a script. That will take time,” he added.

Producer Krishika Lulla also commented on making a sequel of the film.

She said: “I feel small issues of marriage will connect to people’s heart, so that’s what we are looking for. Whatever we make, if it can connect to any of us with what is happening in our daily life, it will be really fantastic.”

Shubh Mangal Saavdhan revolves around Ayushmann and Bhumi’s characters who fall in love and plan to get married. But the twist in the tale comes when the groom discovers that he suffers from erectile dysfunction.

Ayushmann expressed excitement about a possible sequel of the film, and said: “It’s amazing, but I feel now the problem will be that what will be the ‘problem’ of part two. In the end of the film, we showed that his problem has sorted out, so in part two, he can become ‘Alphamale’… So, we never know. We are looking for a plot line because it’s a very quirky subject and it can be explored more.”

As of now the team is happy about the response to the film, which has grown on word-of-mouth.

Prasanna said: “While starting the film, we always think that it will be the biggest hit. We also knew that people will appreciate our movie, but we were also saavdhan (cautious) about being honest to the film and we should make a film which is family friendly and not vulgar. I knew audience will like it but I never expected this kind of love and support for the film.”

Emmy Special: Selina Meyers May Not Be The Ideal ‘Veep,’ But You Still Want To Root For Her

Veep, starring Julia Louis-Dreyfus as the fictional Madam Vice President (Veep in short) Selina Meyers, is a master class in satire. Each 30-minute episode revolves around the incompetencies of the leader and is packed with wry humour and meme-worthy punchlines. The political climate portrayed on the show almost scarily mirrors the current state of affairs in the United States. 

Three years ago, several Washington DC insiders attested that while other shows on politics like House of Cards, Scandal are more grim and serious, the most accurate depiction of the US politics is shown in Veep. Perhaps politics is indeed a joke now, given the circumstances.

Veep has been nominated this year for Best Comedy, Julia Louis Dreyfus for Best Actress Comedy, Tony Haly and Matt Walsh for Best Supporting Actor in Comedy, Anna Chlumsky for Best Supporting Actress in Comedy, Hugh Laurie for Best Guest Actor Comedy, Billy Kimball and David Mandel (separately) for Best Writing For A Comedy Series, Morgan SackettDavid Mandel, and Dale Stern (separately) for Best Directing For A Comedy Series.

Julia Louis Dreyfus even won an Emmy for Outstanding Lead Actress in a Comedy Series, in 2012, 2013, 2014, 2015, and 2016! 

Having completed six seasons, the show’s seventh season will be the final one, but maybe that’s a good thing. Selina Meyers is selfish, self-centred, and thoroughly incompetent. In her staff Amy Brookheimer’s words, she’s the “worst thing to have happened to this country after food buckets.”

The show began with Selina appearing quite likeable. Ballsy, too. Since it didn’t feature her daughter Catherine much, she was also viewed as someone who still cared for her university-going daughter. She had her ditzy moments, too, but was still not so brutal to her other staff members like Gary, Dan, Amy, and even Mike. In fact, in season three, she even showed how hard it is to be a female vice president especially when it comes to a topic like abortion.

“I can’t identify myself as a woman. People can’t know that. Men hate that. And women who hate women hate that — which, I believe, is most women. I tell you, if men got pregnant, you could get an abortion at an ATM,” she says, funny yet a fairly bleak reality.

As the seasons progress, we learn how horrible she actually is, especially after she stops being the President and spends her time doing mindless charity shows and plug-ins for how she used to be the President once upon a time. Her insults get more vicious and personal, her behaviour towards her daughter appears more cruel than funny, and her taunts never seem to stop.

via GIPHY

She isn’t necessarily evil though. There’s just less to like about her, but at least we have other characters like Gary and Amy finally speaking up and growing much more than the rest of the cast. 

Selina is flawed in many ways, pursuing an off-and-on relationship with her ex-husband, secretly harbouring love for Senator Tom James, and almost always getting back to them despite a massive fight. For someone who binge watches the show, Selina gets unpredictable but as the seasons progress, her character goes beyond redemption. Heck, she doesn’t even try and she has no qualms about that. 

Her quirks, still, are the highlights of this show. Calling her therapy centre a spa, celebrating her win in politics even when she pulled the plug on her mother, ignoring Catherine’s (her daughter) needs when she lay writhing in pain during her pregnancy and much more. But she doesn’t try underplaying her regular, horrible self. 

In a lot of instances, she reminds us of how Elaine Benes (of Seinfeld) would’ve been if she had become the President. It’s hard for a woman sure, and probably not the best choice around. But wouldn’t you rather have a bumbling, but sometimes funny President who would much rather call glasses a “wheelchair for the eyes” as opposed to have them openly mock a disabled person (we’re looking at you, Trump).

The show is ending with the seventh season and we can only hope that Selina gets more horrible, her team continues to douse all the fire she sets and still emerge victorious, somehow. You do end up rooting for her. 

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Feature Image: HBO Watch

Actor Nafisa Ali Joins ‘Saheb Biwi Aur Gangster 3’

Veteran actress Nafisa Ali will essay actor Sanjay Dutt’s mother in the third installment of crime drama franchise Saheb Biwi Aur Gangster.

Nafisa on Tuesday expressed her excitement of being a part of the film and said that she is looking forward to the shoot.

“Being a mother is such an important role… Look forward to shooting for director Tigmanshu Dhulia in Saheb Biwi Aur Gangster franchise,” Nafisa tweeted.

Veteran actor Kabir Bedi has reportedly been roped in to play Dutt’s father in the film.

This will be the second time when Kabir will play Sanjay’s father as the duo also shared screen space in the late Feroz Khan’s 1992 action film Yalgaar

Directed by Tigmanshu Dhulia, the first installment of Saheb, Biwi aur Gangster was released in 2011 and starred Jimmy Shergill, Mahi Gill, and Randeep Hooda. 

The film revolved around a royal family of Uttar Pradesh, but the film was shot at Devgadh Baria, a princely town situated in Gujarat. The sequel titled Saheb, Biwi Aur Gangster Returns was later made in 2013.\

Image Courtesy: Deccan Chronicle

FEFSI Calls Off Strike: Shooting For ‘Kaala’ & Few Other Films Resumes

The Film Employees Federation of South India (FEFSI), who had announced an indefinite strike, called off the strike last night. On Wednesday, shoot of Kaala, Pulikesi 2, Vimal’s Kadhal Mannan and a few other films started. Post-production work of Mersal is also back on track.

Angamuthu Shanmugam, general secretary, FEFSI, told Silverscreen, “Our demands have been met and the one-on-one agreement has also been signed, which mentions that the TFPC will work only with FEFSI employees. Shoots of many films including Rajinikanth’s Kaala have begun today.”

“Today, the shoot of Kaala has commenced on the film sets. It will be a continuous month-long schedule,” informs a source from the film’s unit.

The announcement  about the strike came on the heels of Vishal’s call to film students and other technicians to apply for various positions with the Tamil Film Producers Council (TFPC). The strike had stalled the filming of over 55 movies.

 

 

Centre To Introduce ‘Rs 100’ Coin To Commemorate MGR’s Birth Centenary

The central government will commemorate MGR’s birth centenary by introducing Rs 100 coins. According to The Indian Express, “The coins of the following denominations (Rs 100 and Rs 5) shall also be coined at the mint for issue under the authority of the central government to commemorate the occasion of Dr MG Ramachandran birth centenary,” the Ministry of Finance said.

The Rs 100 coin will be 44 millimetre in diameter and will be made up of silver, copper, nickel and zinc. The coin will weigh approximately 35 grams.

According to the notification, MGR’s portrait will be engraved on one side of the coin. His name in Devnagari script will be inscribed on the upper side of the coin, with ‘Dr MG Ramachandran Birth Centenary’ in English on the lower side.

The other side of the coin will bear the legend Satyamev Jayate in Devnagari. It shall also bear the Rupee symbol and denominational value Rs 100 in international numerals below the Lion Capitol.

The reverse of the Rs 100 coin shall bear the portrait of MGR in the centre, with inscription of MGR in Devnagari on upper periphery and Dr MG Ramachandran birth centenary in English on the lower periphery of the coin.

MGR began his career as an actor with Ellis R Dungan’s Sathi Leelavathi. He followed this with films such as  ThirudadheEnga Veettu PillaiAayirathil OruvanAnbe VaaMahadeviPanam PadaithavanUlagam Sutrum Vaalibhan among others. His unsurpassed fame helped him in his political career. After founding the All India Anna Dravida Munnetra Kazhagam, he served as the Chief Minister of Tamil Nadu for two terms.

Image Courtesy: Hindustan Times

Adil Hussain Wins Best Actor Award At Washington DC Film Festival

Adil Hussain has bagged the Best Actor award at Washington DC South Asian Film Festival (DCSAFF). Adil, who won the award for his film Mukti Bhavan, on Tuesday took to Twitter to share his excitement. 

“Delighted to hear the News! Thank you DCSAFF for this Award. Gratitude,” Adil tweeted. 

The festival takes place annually, showcasing the best in alternative cinema from India, Pakistan, Afghanistan, Bangladesh, Nepal and Sri Lanka. Mukti Bhawan is directed by Shubhashish Bhutiani and also stars Lalit Behl in the lead role.

The film tells the story of Daya, who thinks of attaining salvation in the ghats of Varanasi and takes his son Rajiv along with him. As days pass, Daya finds a company in a widow while Rajiv is left in a state of dilemma.

Anurag Kashyap’s ‘The Brawler’ Premieres At Toronto International Film Festival

Anurag Kashyap’s film The Brawler (Mukkabaaz), which revolves around the struggles of a boxer from a lower-caste and gives a peek into cow vigilantism, has premiered at the Toronto International Film Festival.

As its story unveils on the big screen, The Brawler a brutal comment on what is happening in India today opens with a scene showing cow vigilantes on the rampage. 

Kashyap, introducing the film on Tuesday, said lightly to the audience: “We are the second most populous country in the world, but we don’t end up doing much in sports.” He said boxing in India is not the way it is seen in movies, alluding to the prevailing corruption in the Indian sports system.

Overall, The Brawler is a romantic story paved with complications at every step of the way for its protagonist Shravan (Vineet Kumar Singh). Sharavan is a lower caste boxer honing his skills in a gym controlled by Brahmin boss Bhagwan Das Mishra (Jimmy Shergill). A local don and boxing promoter, Mishra treats boxers like servants and makes them run errands. One day, Shravan meets Mishra’s niece Sunaina (Zoya Hussain) who is mute. It is love at first sight. 

Sunaina, who can hear, is pretty good at using social media — a tool she uses effectively to communicate. As the plot unfolds, their love has myriad complications. Shravan has already earned the wrath of his boss and Sunaina’s uncle by delivering a nasty right hook to his face. Now if he has to win Sunaina’s hand, Shravan will have to become a big champion. Hurdles are created for Shravan so that he doesn’t further his boxing career, land a job and then marry Sunaina. But Shravan succeeds as a boxer and marries Sunaina.

Mishra though won’t rest. He stokes public rage against Shravan and his new “untouchable” coach by delivering them goat meat but spreading rumours about beef.

As is prevalent in sports bodies in India, Mishra, as the boxing federation boss, tries every trick to stop Shravan from winning the national title. As a last resort, he holds Sunaina and her parents hostage, gets forcible divorce for Sunaina and had her married to someone else.

But nothing can now separate Sunaina and Shravan – the self-described Mike Tyson of India. Overall, Kashyap holds no political punches in this over two-hour melodrama, spiced by not-so-spicy music.

 

Feature Image: High On Films

Censor Board Certifies ‘Oru Pakka Kathai’ With No Objection To The Word, ‘Intercourse’

The team of Oru Pakka Kathai has been battling with the Central Board of Film Certification (CBFC) for the past seven months after the CBFC denied the film certification unless the word “intercourse” was removed. The film’s release remained stalled without the certification. Now, the board green signalled the word and certified the film, U.  

Director of the film, Balaji Tharaneetharan told Silverscreen, “When the film was sent for certification, five months ago, the regional censor board had ordered a cut for the word ‘intercourse’. We had then approached the revising committee. The revising committee cleared the film with no objection to the word. Still, the board wanted to check with their head office in Mumbai to certify the film. Ten days back, they called us and certified the film with a ‘U’. Now, they have no objection to the word. May be because of the change in the CBFC chief.”

“As a filmmaker, I’m happy that my work has been accepted and certified. I felt the freedom of a filmmaker, when  there was no cut ordered by the censor. We will be planning the date of release soon,” he added. 

Anguished over his battle with the CBFC, he said that the film has no violence, no double-meaning words, and no item numbers. “Despite this effort to make a clean film, my film was denied a certificate,” he said.

Balaji said that the word is used during a conversation between a girl and a doctor. Removing the word would impact the subject.

Oru Pakka Kathai, starring Kalidas Jayaram and Megha Aakash, is a teenage romance. 

 

Veteran Dialogue Writer RK Shanmugam Dies At 87

RK Shanmugam, known for his iconic dialogues in MGR’s Aayirathil Oruvan, passed away on Tuesday evening. According to initial reports, Shanmugam died from a sudden cardiac arrest. He was 87.

A spokesperson for the family told Silverscreen that the writer had been ailing for sometime. “He had been suffering health issues for the past two years. Most of them due to old age. He continued to nurture his love for Tamil literature and spent much of his last years reading and writing. When the end came, it was peaceful and swift.”

Shanmugam’s career began with Aayirathil Oruvan. He had earlier worked as an assistant director to director-producer-actor BR Panthulu. His work so impressed MGR that he wrote the dialogues for the 15 of the actor’s films.