Amy Jackson almost vanishes in the second half, like the major female lead characters in Tamil cinema, but turns up swiftly out of nowhere for songs and to lend her jewelry when the hero is in acute need for money. If you strike out Amy Jackson from the lead cast, it wouldn’t make any thin difference to the storyline. That’s the kind of contribution she extends to the film. Sukumar’s strong sense of visual pattern and Harris Jayaraj’s occasionally good background score don’t succeed in bundling up an engaging thriller thanks to the uninteresting story-telling.
Tamil