It is amazing how some films evoke the wrath of some group or the other, while some others pass by without offending anyone. Here in R Nagendran’s Tamil work, Kaaval, Chennai’s police force — at least a part of it — is presented as utterly corrupt and incompetent. One is not debating the veracity of this image, but just that Kaaval (which incidentally means police) has not got the city’s cops fuming.
Tamil
