The early scenes are aimless, the latter ones affectless. The writing is so hurried, we barely have time to pause and react to the events surrounding Stella, Anbuchelvi, Subhashini’s monster-husband, and Dharmadurai’s laughably late discovery of the money in the bag he brought from home. These are the parts where the drama needed to be hammered home, and strangely, these are the parts where Seenu Ramasamy chooses to be subtle. Perhaps he wanted to be low-key, but sometimes that’s the same thing as uneventful.
Tamil
