The Renganaath Ravee Interview: ‘Background Music Should Not Be Used To Eliminate Silence In Films’

In an exclusive interview to Silverscreen, the two-time Kerala State Film Award-winning audiographer talks about his career in films that spans over a decade – across the Hindi, Tamil and Malayalam film industries – on using sync sound, and returning to his hometown Kochi for an upcoming documentary directorial.

The Making Of Sarvam Thaala Mayam’s Peter: Interview With GV Prakash Kumar

Prakash has been speaking for some time now about Sarvam… which sees director Rajiv Menon emerge from hibernation, and features music by Prakash’s uncle AR Rahman. “Each film comes with something special.For someone who displayed great maturity in sound sense even as a teen, and made a debut with a film that was more art house than mass, Prakash chose the commercial route when he decided to turn actor, and achieved success in that too, though some squirmed at the double entendres.

‘Jallikkattu Is About The Beast In Man’: A Conversation With Filmmaker Lijo Jose Pellissery

The filmmaker’s career graph though, doesn’t suggest this self-confessed indolence.  Six films and eight years in the film industry later, Lijo Jose Pellissery is now one of the most acclaimed filmmakers in Malayalam, constantly pushing his own bar and exploring new narrative terrains with every new film.

Sarkar Review: A Watchable Political Rally That Is Never A Chore

The real part is of course Vijay’s political ambitions and Tamil Nadu’s volatile political situation, and the dramatic past couple of years.Real and reel merge in Sarkar, directed by A R Murugadoss, initially plagiarized from Varun Rajendran’s story that is registered with the South Indian Film Writers Association and acknowledged in the opening credits in the form of an expansive, unwieldy letter signed by “A R Murugadoss (Writer/Director)”.

The A to Z of Vijay’s Political Thriller ‘Sarkar’

Sarkar, AR Murugadoss’s new film starring Vijay and Keerthy Suresh, is a socio-political thriller in name, but the movie is really is a long pep rally for its lead actor’s political ambitions.The hasty Background score in the movie, the highlight of which was when the composer plays Yelelo and other fishermen music tropes when the hero talks about his background.

In The Eye Of A Storm: Chinmayi Sripada Talks Life, Music, Activism & Building A Brand Against All Odds

Not the ideal situation for a child born of parents from well-to-do backgrounds, but after Chinmayi’s mother Padmhasini was abandoned by and later divorced from her father, Chinmayi got used to a life where stretching a rupee was the norm, and where it was commonplace to graciously accept help from a generous periyamma (aunt) and grandfather. “We knew where our next meal would come from, but were never sure what would happen the next week.

Of #MeToo & The Tamil Film Industry’s Shameful Silence

Another woman who had written in calls it an open secret in the industry. “Vairamuthu is a predator,” she says, “but no one will expose him because of his political connections which he uses to silence his victims. ” A few of them mention Ponmani in this context, as obviously knowing what her husband was up to, and warning women to stay indoors when he visited the hostel, or “keeping a tab” on visitors who were young women. “I had an appointment to meet him and stopped to say hello to Ponmani who is a poet of note herself, “a woman writes, “She kept calling his office from their residence downstairs.

In Conversation With Anurag Kashyap: The Director-Actor Everyone Loves To Hate

Crime thrillers, gangster sagas, love stories with a dark, delicious twist… but, at heart, Anurag Kashyap, who has completed nearly quarter a century in films, insists he’s like a child. “Somehow, every time I’ve acted, it’s been in a negative role.Anurag’s love story with Tamil cinema began because of the sheer accessibility. “Tamil films have been so rooted; Hindi films have started getting there.

‘We Needed An Actress Who Could Be Just As Powerful As A Male Lead’: Ajay Gnanamuthu On Nayanthara & ‘Imaikka Nodigal’

Ajay is expected at the studio to oversee the colour correction of his second film, Imaikka… which releases tomorrow, but he hangs back to finish his tale. “I had no parental approval and there was a lot of pressure to pursue medicine,” he says, “But I think I am happy now – my siblings look up to me; they say I swam against the tide.

Speaking Up: When Reel Stars Are Also Real Heroes

Every time a burning issue concerning society is in the news, actors are usually found wanting when it comes to expressing anger or angst. But some voices have always risen against injustice of any kind, be it within the industry or outside of it. Not surprisingly, these voices invariably have their origins in the South, primarily in Tamil Nadu and Kerala. Bollywood has almost stayed silent on most issues, especially the deeply political.

Kollywood Takes Up Cauvery & Sterlite Issues Amidst Indefinite Strike

The Tamil film fraternity is not one to stay silent on burning issues, be it the Jallikattu uprising or Anita’s suicide over NEET. Now, several celebrities include the stars-aspiring politicians have spoken out against the expansion of Vedanta Sterlite’s copper smelter in Tuticorin as it would add to the pollution levels and contaminate the Kumarareddiyapuram village in Thoothukudi to hazardous levels.
Rajinikanth, in his latest tweet, said, “Why the government of Tamil Nadu still silent over the ongoing protest against Sterlite Copper and allowing them to function despite opposition from the residents.”

Kamal Spoke About His Beliefs In The 1988 Film ‘Unnal Mudiyum Thambi’: A Bangalore Supporter

Kamal Haasan will emerge victorious in politics, just like he has done in cinema, declares Saravanan, a carpenter from Bangalore. “You want to know why? He has won four National Awards and had the talent to win more, but he is giving it up to make space for young actors, and is now entering politics. Kamal will give importance to education, quite like what he’d said in Unnal Mudiyum Thambi. A line in the song “Unnal Mudiyum Thambi” goes “இருக்கிற கோவிலை எல்லாம் படிக்கிற பள்ளிகள் செய்வோம் [let’s turn all temples into schools]”. His ideals are just like that of MGR. He’d also protested the presence of wine shops in that song.”

Box Office Report: ‘Padmaavat’ Likely To Cross The Rs 200 Crore Mark Soon

Sanjay Leela Bhansali’s epic drama, which was scheduled to release on December 1, officially released on January 25, with premiere shows on January 24.  The film earned Rs 56 crores in India within three days, making Rs 5 crores on Wednesday, Rs 19 crores on Thursday, and Rs 32 crores on Friday.  In New Zealand, the film made Rs 76. 10 lakhs on the first two days.

Weekend Watch: Oru Nalla Naal Paarthu Solren, Madura Veeran, Padai Veeran, Hey Jude

Madura Veeran, a Jallikattu-inspired movie which was earlier set to release during Pongal, will finally hit the screens on February 2.  Written and directed by cinematographer PG Muthiah, the film stars Shanmuga Pandian and Samuthirakani in the lead roles.Vijay Sethupathi’s first release this year, a revamped Shanmuga Pandian, Trisha’s Malayalam debut, and a few others are set to release, with nothing major from the Hindi film industry.