Vetrimaaran Shoots Visaranai at Balu Mahendra’s School

Director Vetrimaaran shot a few scenes for his upcoming film Visaranai at Cinema Pattarai, Balu Mahendra’s film school. The filmmaker, who passed away recently, had wanted his school premises to be used for shooting. Vetrimaaran, who learnt film-making under the tutelage of Balu Mahendra, decided to shoot some portions of Visaranai there to make his late guru’s dream come true.

Dalit History Month: 15 Indian Films about Dalit Lives and Liberation

From Ranjith’s own Tamil films to the Hindi film Article 15, based on 2014 Badaun gang-rape allegations and 2016 Una flogging, several movies have highlighted caste oppression and portrayed the lives of people from marginalised communities.The film follows the life of a young girl Yosana (Ajmina Kassim) from the Puthirai Vannaar caste, and tells the tale of how she becomes immortalised as the local deity Maadathy after a traumatic incident.

Selfie Review: Good Clarity and a Picture to Remember

While every other film has spoken in jest about the deluge of engineering colleges in Tamil Nadu and the poor quality of teaching and the fact that engineers are unemployed, Selfie throws the spotlight on the dark side of this despondency — students turn to working for brokers to send more young kids to engineering college (or the lottery called a medical college seat), don’t clear their exams because they no longer have the inclination to study, and get used to a fast lifestyle and easy money.

Night Drive Review: Anna Ben’s Thriller Runs On Empty

After Naaradan (Malayalam) and Maaran (Tamil) where the media was part of the central conflict, comes Night Drive, directed by Vysakh, where one of the protagonists is a star journalist who brings down a vile, powerful politician.Night Drive pretends to be smarter and more sensitive than the blockbusters Vysakh directed in the past, but in essence, it is just an insincere work that begs to be taken seriously, that reduces a complex and controversial real incident into a bunch of cliches.

From ‘Hridayam’ to ‘Bestseller’, 7 OTT Releases This Week

With the pandemic restrictions being eased, film industries across India, including Hindi, Tamil, Telugu, and Malayalam, are gradually gearing up for the theatrical releases of big-budget, star-studded films. Alternatively, OTT platforms still seem lucrative for show business, as it has been providing filmmakers and artists with the freedom to work with different formats, such as series and anthologies, owing to the recent success of the Malayalam anthology Freedom Fight.

Sarath Kumar’s ‘Irai’ to Premiere on Aha on Feb 18; Director Rajesh M Selva Says Series on Child Abuse was Tricky to Handle

The screenplay for the series has been written by the director in collaboration with Manoj Kumar Kalaivanan and Rajesh Manjunath. “After acquiring the rights to the book, Radaan approached me with the idea of creating a series, sometime during February-March 2021.Speaking to Silverscreen India, he reveals that adapting the book, which he calls “very raw and hard-hitting,” to the screen was quite tricky. “The series discusses topics of child abuse and trafficking, something so sensitive but at the same time, something that families need to be aware of.

Margazhiyil Makkal Isai: 8-Day Music Festival Ends on a High Note

While conferring the artists with the Makkalisai Mamani awards, MP Kanimozhi noted the importance of a festival of this nature being held at the Music Academy. “Normally, during Margazhi season, the audience will be quiet while someone is performing on this stage.Formulated by filmmaker Pa Ranjith through his Neelam Cultural Centre, Margazhiyil Makkal Isai is a music festival that aims to bring the music of the people to spaces that are predominantly occupied by upper-class and upper-caste groups.

‘Jai Bhim’ Explainer: Breaking Down the Controversies Surrounding the Suriya Starrer

Earlier, speaking to Silverscreen India, film observer and writer Stalin Rajangam had said, “What we need to observe is the pattern of controversies that are thrown at films like these that talk about the oppressed. “Jai Bhim is playing a big role in spreading this necessary message about how the oppressed are treated in society,” said J Balasubramaniam, a faculty member of the journalism and science department at Madurai Kamaraj University. “Just keeping a title like Jai Bhim, that too for a film headlined by a popular star, is itself quite progressive for Tamil cinema, which has had films named after castes in the past.

Jai Bhim Row: Vanniyar Sangam Writes to Centre to Not Consider Suriya’s Film for Any Recognition or Appreciation

The Vanniyar Sangam on Thursday wrote a letter to the Directorate of Film Festivals, the Ministry of Information and Broadcasting, and the Information and Public Relations Department, asking them not to consider Jai Bhim, actor Suriya’s recently-released Tamil film, for any recognition or appreciation.